Two Boys Kissing
By David Livithan
I love audio books
as a companion to the books I’m reading. I love being able to walk to the
subway station or walk anywhere for that matter, and still be able to continue
my book. I don’t even have to go anywhere, I can sit at home creating cover
art, or formatting paperbacks and ebooks and the book continues, as I continue.
I listen and imagine it’s a yesteryear radio show, it’s all good.
That
said, I’m not a big fan of being emotionally wrecked by a book. Slings and arrows—yadda-yadda-yadda—seriously
who even likes that. Well, maybe I do a little, though all my false-start
attempts at reading All American Boys, will
argue the contrary.

Death
is something we can all, unfortunately, relate to. But it is the meaningless
senseless death of the countless who fell victim to AIDS while the rest of us
drowned in the social construct of platitudes, which included some variation of
the omnipotent will. It was the bull-s— we suffer through while waiting for Godot. Paranoia running rampant in me I
always had the lingering thought the virus had a sanctioned manufactured
intent.
Levithan’s
book didn’t feed my paranoia, but fed my soul and left me emotionally wrecked. Emulating in homage Levithan’s narrative
voice, all I can say is we are one voice. We can substitute it with a
multitude, but we are there — just the one voice. And every time we celebrate
or remember our ghettoized little corner of the world (height, weight, color,
gender, religion or sexuality), we are one voice joining an untold
number of voices and we must be heard.
We
few, we happy few, we band of brothers;
For he to-day that sheds his blood with me
Shall be my brother; be he ne'er so vile,
This day shall gentle his condition:
For he to-day that sheds his blood with me
Shall be my brother; be he ne'er so vile,
This day shall gentle his condition:
—William Shakespeare
Listening
to an audio book is sometimes something I do for the delusional belief it will
provide an emotional cushion. But much like Armie Hammer reading Call Me By Your Name, or Willem Dafoe
reading The Langoliers, Levithan’s
reading Two Boys Kissing was
unexpected and amazing. More than once I was surprised to feel the tears
sliding down by cheek. Mercifully, unlike All
American Boys, the foreboding sense of fear found me later in this book,
with Avery and Ryan, and yes with
Cooper.
Yes,
it is one voice, but the numbers grow exponentially. My gender and my ethnicity
tell me equality is still not equal. But tomorrow might reveal a chorus and not
of the tragic variety. And those of
us that came before when height, weight, color, gender, religion or sexuality merited the indignities of slings
and arrows, we will bear witness
to something new. Read this book for the gutting and read between the crevices
because there is hope in those words, in that voice.
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